Furius and Aurelius, you friends of Catullus, whether he penetrates farthest India, where the Eastern waves strike the shore; with deep resonance, or among the Hyrcanians and supple Arabs, or Sacians and Parthian bowmen, or where the seven-mouthed Nile; colours the waters, or whether he'll . Catullus 16 or Carmen 16 is a poem in the collected poems of Gaius Valerius Catullus (c. 84 BC - c. 54 BC). Addressed to his friends Aurelius "who takes it in the mouth" and Furius "who takes it up the arse" (these are rough translations . 88-98), though I don't particularly like "father of all forced diets" in the first line of Catullus 21 (p. 91), and in rendering the first and (identical) last lines of Catullus 16, he does not convey the important point that the poet is threatening . My first thought when I saw this question was of Catullus, and his magnificent 'Pedicabo vos et irrumabo' - Catullus 16. Catullus threatens, with what nowadays we would call sexual assault, two acquaintances who have accused the . If he penetrate most remote India, lit as with the long resonant coast East's wave thundering under— if in Hyrcania, mull of Arabia, say the Sacae, arrow ferocious Parthians, He took the bother to warn Miss Gordji that the translation wasn't very polite. II. Catullus is one of the most frequently translated of Latin poets, but when it comes to English versions suitable for classroom use (that is, reasonably close to the Latin, not seriously dated, and widely available) there are three: . Furius and Aurelius Furius and Aurelius are famously addressed in poem 16, where they are portrayed as being unable to appreciate the subtleties of Catullus' poetics; in return, Catullus threatens to sexually assault them in more than one way. Poem 16 is an attack on two of Catullus' bêtes noires, Furius and Aurelius. In the interests of brevity, let me give you just the first six lines of Louis Zukofsky's translation of Catullus 11: Furius, Aurelius: comities—Catullus. These are followed by a film poem by Henry Stead which translates Catullus' strange and beautiful poem 'Attis' in an innovative fashion. 11. In Rome, Catullus and his generation, the "new poets," played an essential role in the development of Augustan poetry. Yeats's poem about Catullus, The Scholars, published in 1919, speaks of "lines/That young men, tossing on their beds,/Rhymed out in love's despair/To flatter beauty's ignorant ear.". There's another way in which Poem 16 is camp: the way Catullus pretends to buy into moral standards that he actually rejects. 8 7K H 'HGLFDWLRQ˛ WR &RUQHOLXV To whom do I send this fresh little book of wit, just polished off with dry pumice? The poetry of Gaius Valerius Catullus has had two lives. Poem 13. More dashes, I'm afraid; this means, "----sucker Aurelius and catamite Furius." Mr Lowe's response, like Catullus's poem, was also light-hearted. After launching the module, Visual Supports is a subtopic under Communications. An icon used to represent a menu that can be toggled by interacting with this icon. pathicus ~a ~um, a. superl. Furius and Aurelius, Catullus' close friends and fellow travellers, whether he enters into Indies where waves roar on eastern shores POEM 11. When the present writer turned as a schoolboy to Lewis and Short's Latin dictionary he learnt that pedicare . Aurelius is subjected to sexual rather than scatological obscenity in Catullus 21. with deep resonance, or among the Hyrcanians and supple Arabs, or Sacians and Parthian bowmen, or where the seven-mouthed Nile. Catullus 16 is addressed to Furius, who had an affair with Catullus's boyfriend, and to Aurelius, who apparently insulted his love poetry for being "girly." Here is the cleanest conceivable. Although there are many examples of moments such . Furius and Aurelius arc convenient addressees who fulfil vanous functions in these poems: they have been indomitable companions of the poet (I 1), stingy and_poor{23,26) and Aurelius is seen as a promiscuouspederast (15, 21). THE CARMINA. 88-98), though I don't particularly like "father of all forced diets" in the first line of Catullus 21 (p. 91), and in rendering the first and (identical) last lines of Catullus 16, he does not convey the important point that the poet is threatening to . The House of Livia (domus Liviae) is a building complex on the Palatine Hill, ancient Rome's most desirable location.It was built in the first half of the first century BC and belonged to the empress Livia, the third wife of Emperor Augustus.It stood next to the House of Augustus (domus Octaviani) alongside a complex of buildings conceived for the ideological propaganda of the emperor's . An icon used to represent a menu that can be toggled by interacting with this icon. They brought to Rome the learned and self-conscious style of Hellenistic poetry, and they helped to create and explore those interests in . In Rome, Catullus and his generation, the "new poets," played an essential role in the development of Augustan poetry. The wordelegycomes from the ancient Greek language elegos(ἔλεγος) and its derivativeselegeion(ἐλεγεῖον), andelegeia(ἐλεγεία) One meaning: sad and mournful song Other meaning: rhythm of two verses combined as a couplet A poem constructed by way of elegiac couplets is anelegy. By placing this cultural reference center-stage, Catullus shows off his cleverness and places his own work within the tradition of love poetry. Instead, he deflects. (15, 16, 21, 23, 24, 26) focuses on Aurelius, Furius, and Iuventius. Creator / Catullus. So Catullus begins his infamous sixteenth poem, which may stand scrutiny to this day as the most terse and elegant defense of aesthetic obscenity ever penned. One of Catullus's most notorious poems is "Carmen 16," which begins with a shockingly obscene threat, directed at two critics who thought Catullus's poetry was effeminate: " Pēdīcābō ego vōs et . They helped to create the possibility that one might be a poet by profession. Words against Lesbia: to Furius and Aurelius Furius and Aurelius, you friends of Catullus, whether he penetrates farthest India, where the Eastern waves strike the shore. Of course, Catullus needs Furius and Aurelius to establish the riskiness of his performance, which depends for its effectiveness on being questionable. "Furius, Aurelius, I'll work your/ own perversions on you and your per-sons." He has, for the same line at the end:" Come at me, and I'll be ready/ to . Beronice's Hair. The poet is threatening two characters named Furius and Aurelius with a different kind of homosexual rape for each of them according to preference. Catullus begins with Furius and Aurelius, his "frenemies" from XVI ("Aurielius, thou faggot, and bottom-bitch Furius!" - here they are comites "companions".) Although his audacious, erotic, and satirical verses survived the Middle Ages in only a single copy, Catullus has in our time become a standard author in the college Latin curriculum, ranking with Virgil, Horace, and Ovid. with writing tons of nasty poetry if he won't return the napkin. I am currently taking a class at my university about the Roman poet Catullus (lived c. 84 - c. 54 BCE). Roz Kaveney then responds with a version of each poem. c (transf., of obscene books) Catullus 16.2 is cited as an example of a. Ironically, the idea of ironic persona makes a brief appearance as this idea develops, but to confusing effect: the 'soft' kiss-poems to Lesbia are said to present 'the persona of a poetic lover gleaming with irony, behind which lurk[s] an enigmatic "real" persona' revealed in the threat to pedicare and irrumare Furius and Aurelius . In defending himself against the charges of being effeminate, he does not go all "We're here, we're queer, get used to it" on us. The detail that Catullus' penis will have been in Furius' and Aurelius' anuses before he forces it into their mouths, with the implications of ingesting faecal matter and producing an os impurum, adds an extra degree of humiliation to the poem's threat and its textual enactment. On the contrary, says Catullus, although my verses are soft (molliculi ac parum pudici in line 8, reversing the play on words), they can arouse even limp old men. To you, Cornelius: since you were accustomed . Answer: Cheers for the a2a! Moreover, Wilhelm is a more stylish and vigorous translator, especially of Catullus (pp. Should Furius and Aurelius have any remaining doubts about Catullus' virility, he offers to fuck them anally and orally to prove otherwise." - Catullus 16, Wikipedia Or where the seven-mouthed Nile colors the sea. Furius and Aurelius, you friends of Catullus, whether he penetrates farthest India, where the Eastern waves strike the shore with deep resonance, or among the Hyrcanians and supple Arabs, or Sacians and Parthian bowmen, or where the seven-mouthed Nile colours the waters, ~issimus ( Gk .) 23 reviews. Furius and Aurelius, comrades of Catullus, whether he forces his way to furthest India where the shore is lashed by the far-echoing waves of the Dawn, or whether to the land of the Hyrcanians or soft Arabs, or whether to the land of the Sacians or quiver-bearing Parthians, or where the seven-mouthed Nile colors the sea, or whether he traverses . Poem 16, addressed to his friends, Furius and Aurelius, is indeed a direct assertion of his masculinity: Pedicabo ego uos et irrumabo, Aureli pathice et cinaede Furi, . A Dangerously Modern Poet. HAWKINS, Catullus c. 11 and the iambic herald 1615 the phrase as a nominative in apposition to the subject, and argues it is a comic euphemism for the phallus of Archilochus, who is threatening his rival with penetration, and which is designed to put Cerycides in a subordinate position both in terms of his role as herald but also sexu- ally30. In the Penguin translation of Catullus two words are left untranslated. The first line, Pēdīcābo ego vōs et irrumābō ("I will sodomize and face-fuck you"), sometimes used as a title, has . rankled to cause or cause to have long-lasting anger, rancor, resentment, etc. Furius and Aurelius had been mocking Catullus for his tender love poems. Walking certificate templates for school and walking clubs. On the fascinatingly obscene 16 he says simply "C.'s threat [to sodomize Furius and Aurelius and force . . Poem 16 is not a defense of poems 5 and 7, nor of the aesthetic qualities they exhibit; still less is it a defense of the poet's morals based on a separation between art and life; rather, it is . Catullus himself has served as a comes in the train of Memmius. Holzberg similarly claims that in poem 16 Catullus proposes to be a Priapus in relation to Furius the thief and the greedy Aurelius, who elsewhere tries to steal the poet's puer delicatus and whom the poet threatens to penetrate anally with radishes and mullets (15.19) as well as orally with his own phallus (21.7-13; Holzberg 2002: 27). PDF Service Learning Template - Gwow Home. (See also #25 in which C threatens to scrawl with a whip [flagella conscribellent] upon Thallus' hands and rump.) The phallic threats turn out to be to Catullus' response to accusations of effeminacy made by this pair on the basis of his kiss poems ('Give me a thousand kisses, then a hundred'). Poem 16 is an attack on two of Catullus' bêtes noires, Furius and Aurelius. For here the obscenity is not directed at Furius; rather, it comes from Furius and Catullus is amused by it. In Defense of Obscenity. In most of his poems addressed to Furius and Aurelius, Catullus heaps abuse onto his cohorts, and in this particular one, he threatens them with explicit rape: Paedicabo ego vos et irrumabo, Aureli. A joke to Fabullus Catullus's friend, he says come have dinner at my house, but make sure to bring the food, wine, salt/wit, and a dazzling girl, because I'm broke. Furius and Aurelius, Catullus' friends, Whether extremest Indian shore he brave, Strands where far-resounding billow rends The shattered wave, [5] Or 'mid Hyrcanians dwell he, Arabs soft and wild, Sacis and Parthians of the arrow fain, Or where the Seven-mouth'd Nilus mud-defiled Tinges the Main, Or climb he lofty Alpine Crest and note Where did elegy come from? Furius and Aurelius, you friends of Catullus, whether he penetrates farthest India, where the Eastern waves strike the shore with deep resonance, or among the Hyrcanians and supple Arabs, or Sacians and Parthian bowmen, or where the seven-mouthed Nile colours the waters, or whether he'll climb the high Alps, viewing great Caesar's monuments, His poetry has been and still is greatly admired thoughout the ages and influenced poets such as Ovid, Virgil and . Mollis in Catullus does de-scribe the softness of a woman (64.88; 68.70), the softness of a woman's The verbs pedicare and irrumare specify the acts and orifices involved and the terms pathicus and cinaedus likewise label the preferred sexual activities of Furius and Aurelius. We know something, though not very much, of one Furius who may well be the person whom Catullus is addressing -the poet Furius Bibaculus, a Northerner from Cremona, who certainly was associated with the noui poetae. only Catullus' annoyance at being asked for money, but also the lack of true anger in his refusal. (More insanity here.) The former was ano. combers large waves that roll over or break on a beach, reef, etc. This argument is then used to interpret the oft-analyzed Catullus 16, a poem that, among other things, allows Catullus to threaten his detractors Aurelius and Furius with forced, sexualized silence. baleful harmful or threatening harm or evil; ominous; deadly. The poem was indeed a light-hearted skit, aimed at two critics of Catullus's verse: "Aureli pathice et cinaede Furi". Catullus threatens Tangam te prior irrumatione (Til make Furius and Aurelius, comrades of Catullus, whether he penetrate to furthest Ind where the strand is lashed by the far-echoing Eoan surge, or whether 'midst the Hyrcans or soft Arabs, or whether the Sacians or quiver-bearing Parthians, or where the seven-mouthed Nile encolours the sea, or whether he traverse the lofty Alps, gazing at the . They have all the same Guides; but because every Man follows them after his . 'Pedicabo et irrumabo vos', writes the poet of his foes Furius and Aurelius and 'pedicabo et irrumabo vos' is how it stays in Peter Whigham's English version.The first word means 'I will bugger you'. The exact word used is molliculi , which can be translated to 'tender', 'gentle', 'delicate', 'sensitive' etc. This poem is translated from the Greek of Callimachus — the poet whom, after Sappho, Catullus most delighted to reproduce. First, a key tenet in Catullus's poetics is the poet's manipulation of sociocultural silence. ALtho' Chronologers do very much disagree in their Opinions, yet there is an Art and certain Rules for the placing in order, the Succession of Times and Epocha 's; and this Marshalling of Events which we observe in their Books, is always grounded upon some Reason or other. and then launches into a tour of the empire. By threatening to rape Furius and Aurelius for branding him as effeminate, Catullus is reasserting his masculine dominance through the act of penetration (an matter that led me to give a conference paper, which these and the next few posts formed a substantial part of, entitled 'The grotesque as a political operative, or, how I came to love . So here Catullus' has been spurned by his lover Lesbia in favour of other men…and him being somewhat miffed by this decides to write a lovely little poem detailing her extra amorous activities. 12-15 A sequence of places . The poet's choice of Furius and Aurelius as his comites must be meaningful for the poem as a whole, and a great deal has already Catullus moves beyond Sappho's love poems, though. The first three stanzas of Catullus 11 have occasioned much discussion among critics. Furius, the friend whom Catullus jeeringly threatened with oral and anal rape, is identified on thin evidence as a satirist named Marcus Furius Bibaculus, whom Dunn thereafter refers to . Catullus char-acterizes himself as the hyper-masculine poet, . Here we define love and tenderness in Roman society as small acts of affection, kindness, flirtation, and 'sweetness,' such as bringing a gift to one's loved one, a description of what a good parent one was, embracing the one you love, writing a poem about how wonderful your partner is etc. It's the first line of Catullus's very funny obscene poem 16. Furius appears again in r r, where with Aurelius he is given a last message to Lesbia, and in two pieces of abusive banter (r6, 23). Submitting to sexual intercourse: a (of catamites). 11. It is true that Catullus does not merely respond with the obscenities his critics had complained about, since the offending phrases he uses are meant to assert a masculinity that Furius and Aurelius had denied him; and it is also the case that part of Catullus' argument is that the supposed indecency of his verses is not to be taken seriously . Please do not make Americans fight giant monsters. In the renuntiatio amoris of poem 11 (see Cairns 1972: 79-82) Catullus asks his friends Furius and Aurelius to deliver a contemptuous message to Lesbia (pauca nuntiate meae mollifies makes less intense, severe, or violent. Charles Martin, in his book on Catullus in the Yale Press's Hermes series, is fully aware of the poet's "unimpeded . Progress Now Catullus' description of Lesbia as possessing three hundred lovers is not a claim we should take as an expression of 'reality'. can do to a woman exactly what he does to another man in order to gratify his lust, it makes little sense to talk about "homosexual acts His poetry moved away from the ancient Greek epics about gods and heroes to something closer to everyday life. that Catullus does not really mean the threats of lines 1 and 14. Furius and Aurelius, comrades of Catullus, whether he penetrate to furthest Ind where the strand is lashed by the far-echoing Eoan surge, or whether 'midst the Hyrcans or soft Arabs, or whether the Sacians or quiver-bearing Parthians, or where the seven-mouthed Nile encolours the sea, or whether he traverse the lofty Alps, gazing at the . Early Greek elegy did not tell a story -feelings only, conveyed . suggest that Vergil's allusive engagement with Catullus 11 begins earlier in Book 4, and is then clarified and completed by the episodes analyzed by Putnam and Nappa. Of course, Catullus needs Furius and Aurelius to establish the riskiness of his performance, which depends for its effectiveness on being questionable. Catullus. Although Catullus's poems may be cooled by the odd Zephyr and . colours the waters, Words against Lesbia: to Furius and Aurelius. The poetry of Gaius Valerius Catullus has had two lives. 15) The "economy of love" returns Furius' poverty provokes Catullus to one of his characteristic tirades. Page 9 CHAP. In poem 11, however, it is the poet himself who is to play the role of "provincial governor" and Furius and Aurelius who are to be his followers. The poem, written in a hendecasyllabic (11-syllable) meter, was considered so explicit that a full English translation was not published until the twentieth century. 11. Sadly, I've been so insanely busy . The Grounds of Chronology. Taken at face value, the poem is a rebuke to the idea that Catullus himself is effeminate through threats of . The general purport of the poem is this: Two censorious critics, Furius and Aurelius, have . Often enough there's a name in the first line, or the first sentence, or as the first word. Chapter Three turns from intranarrative analysis to a more explicitly extranarrative analysis and seeks to situate silence in the context of social . For Catullus, witty or charming poetry "says aloud what is, traditionally, only trangressively overheard" (44). This poem is written to Furius Bibaculus and Aurelius friends of Catullus, whom . Those gun nuts do not understand the meaning of "overkill," and will simply use weapon after weapon of mass destruction (WMD) until the monster is dead, or until they run out of weapons. Nonetheless, the fact that he even threatens to do these things to them at all is deeply disturbing. In Catullus-16 itself, it is referenced that both Furius and Aurelius believed Catullus' poetry to be rather effeminate. Words against Lesbia: to Furius and Aurelius. I've been meaning to write an article on this subject for over six months now, but, until now, I haven't had time. DOCX Home | Oxfordshire County Council Learning walks have been widely used in classroom settings, and are aimed at supporting professional learning for educators (Bloom, 2007). After the fifteenth line there comes a surprising, sudden change of focus: Catullus is not actually asking Furius and Aurelius to travel manfully to the ends of the earth; all he wants them to do is run an errand for him, to go and tell his faithless mistress some not-very-pleasant home truths (non bona dicta, 11.16). At school we were taught about a part of speech called Proper Nouns: names of persons, names of places, names of seas, names of winds. 11 Furius and Aurelius, Catullus' companions, whether he goes among the farthest Indians, where the shore beats with the farresounding eastern wave, or among the Hyrcanians and soft Arabs, or the Sacae or the Parthians, carrying their bows and arrows. A specific sex act should not be specified; in fact, Catullus threatens to perform both anal and oral sex on both. The following are the circumstances which induced the Greek poet to write this complimen- tary elegiac poem. What tool does C use for the job? . He is the first to depict love in a relationship as a dynamic movement of emotion rather than as a single static subject. Aurelius' hunger stands both for his appetite for the boy and for his poverty, and because Aurelius is poor Catullus is in a position to mock (irrumare in the weak sense) his rival; if Aurelius were not poor, the boot would be on the other foot and it would be Catullus who would be silenced (irrumatus): "But if you did that when you were full . The phallic threats turn out to be to Catullus' response to accusations of effeminacy made by this pair on the basis of his kiss poems ('Give me a thousand kisses, then a hundred'). This is surely the case in Secundus, as he expects his reader to understand. Gaius Valerius Catullus was a Roman poet who lived during the Roman Republic. They have more WMD than there are monsters for us to fight. Catullus threatens M.A. As the reader will recall, those stanzas consist of a vocative phrase greatly extended by subordinate clauses, in which Catullus describes Furius and Aurelius as his comrades whether he travels to Scythia, Asia Minor, Egypt, or Britain. Catullus goes on to explain that his poems do not actually reflect what he is like as a person, hinting that he is not actually capable of anally and orally raping Aurelius and Furius the way he threatens. "I will fuck you guys in the ass and make you suck my cock…". And he seems to be following Catullus 16, according to the reading by which the kisses are understood to refer to poems 5 and 7.
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